You know, even some of what use to be edited for television back in the 90’s and 00’s was heavily chopped up and neutered back then for broadcast and cable television that even now, some films that have profanity have been relaxed and just garner the standard PARENTAL GUIDANCE NECESSARY for content that may be of risk to children. I don’t understand this concept of making film, which is categorically artwork, that needs to be insistently scanned and altered for a child’s viewing when it’s content and material was never produced with their viewership originally in mind. You can’t take the SAW franchise and suddenly think it’s somehow going to be rated for a child just because you’re lambasting your grievances of your personal subjective views, which aren’t of the artists of the original content.
If my parents did their job when I was a kid, then I wouldn’t be here today as a witness and survivor of many of the old childhood traumatic experiences of those I endured with The Brave Little Toaster, All Dogs go to Heaven, We’re Back! A Dinosaur’s Story, The Land Before Time, An American Tale, and Rock a Doodle. They just don’t give children a good dose of reality like they use to anymore. And here parents today are now too careful about what their children see.
The other issue that’s been rising is now that Plex is furthering their good graces with multiple media conglomerates, how far are these connections going as far as to having Plex alter the SAAS for the media conglomerates and their investors favor.
Point being is that the prominence of studio logos or listing of studios on the film details has been manipulated in a way that’s dumb and alarming. Who’s to say that these film studios aren’t going to allow someone’s personal views of censorship be further implemented now.
